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(rshsdepot) Milwaukee, WI
From the Milwaukee Journal-Sentinel.
Bernie Wagenblast
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++
From the bones of a mid-century dud, a gleaming gem arises
November 12 2007
Whitney Gould
At night, when its prismatic glass face and bold, diagonal beams are awash
with light, you have to pinch yourself: Can this possibly be Milwaukee`s old
Amtrak station?
Well, yes and no. The bones of the 1965 station are still there. But the
railroad depot, now the ``Milwaukee Intermodal Station,`` has had a $16.9
million makeover so breathtaking that passengers who knew this only as a decrepit
eyesore must wonder if they`re really in Milwaukee.
The metamorphosis won`t be complete until the day after Thanksgiving, and a
remake of the train shed, the dingy tracks area behind the terminal, awaits
funding. But the building itself, which has been open for business throughout
the 15-month reconstruction, is already a jewel of modernist reinvention,
thanks to inspired work by Eppstein Uhen Architects.
Gone are those elongated, cartoonish arches and that overbearing
porte-cochère. Gone is the silly bell tower. No more broken doors and stick-on bathroom
tile.
In their place is a luminous atrium that extends the building 30 feet north
to the street, adding 7,500 square feet of space to the waiting area.
Architect Greg Uhen has created a soaring, 50-foot-high room whose lively structural
elements - crisscrossing white beams - express the sense of movement and
connection embodied in a terminal for trains, buses and, perhaps someday,
commuter and light rail (a prospect that seems less far-fetched as oil prices edge
toward $100 a barrel).
The beams support a glass curtain wall that has been faceted with artful
sandblasting into a mix of big diamonds and horizontal stripes; the opaque
sections not only filter light but also create an animated layering effect. That
shimmering presence, at N. 5th St. and W. St. Paul Ave., is charismatic enough
in the daytime. But at night, when the transparent facade and slashing beams
are illuminated, the impact is downright transformative.
Even the stanchions for Greyhound bus stalls on the western edge of the
station are eye catchers: The white posts branch off like trees.
The project was made possible with $6 million in tax-incremental financing
from the city, an investment that will be paid back in increased property
values; $2.9 million from Wilton Partners, a development firm; and $8 million in
federal and state funds administered by the Wisconsin Department of
Transportation.
A cheaper, blander remake had been in the works until city officials, led by
Mayor Tom Barrett, Planning Director Bob Greenstreet and Ald. Bob Bauman,
kicked up a fuss and agitated for something more befitting a city gateway for
some 1.4 million passengers a year. Now, with the two upper floors slated to
become private offices and headquarters for the DOT`s statewide traffic
operations, the station is finally poised to become an important player in downtown
renewal.
As Barrett told me, ``It`s symbolic of the renaissance taking place in the
city itself.``
The station is already part of a broader composition that includes the 6th
Street Viaduct, whose cabled white pylons are visible just to the west, and the
stunning new Harley-Davidson museum under way near the southern end of the
viaduct.
I have a few quibbles: One is that the intermodal station`s interior, with
its white walls and gray and white terrazzo floor, is almost too cool and crisp
for its own good. Once potted trees, food stalls and signage are in place,
perhaps it will warm up a bit. But an artful splash of color here and there
wouldn`t hurt.
Also, the 270-space parking lot just west of the station is an ugly swath,
relieved only by plantings along the sidewalk. Greenstreet says that
state-owned space is likely to be developed some day, possibly for a hotel; Randy Wade,
the DOT`s passenger rail manager, cautions that regardless of what happens
there, keeping adequate parking nearby is critical.
I agree, but couldn`t someone find a little money to spruce up this asphalt
desert in the meantime? Also, why would the city install old-fashioned harp
lights in front of the station, when contemporary street lights matching those
closer to the building would be more appropriate?
These are small cavils. Overall, this nearly complete remake is a triumph. As
it joins the ranks of the Calatrava addition to the Milwaukee Art Museum,
Discovery World and other distinguished newcomers dotted throughout the city,
the terminal shows how first-rate design can raise the bar for everything
around it, enhance property values and enrich a sense of place.
In a strange way, the project is also a form of radical preservation: By
giving a mid-century dud a stylish new face and energy-efficient innards, the
makeover saves resources that could have ended up in landfills.
Behold, a turkey becomes a swan.
E-mail to wgould_@_journalsentinel.com or call (414) 224-2358.
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End of RSHSDepot Digest V1 #1629
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The Railroad Station Historical Society maintains a database of existing
railroad structures at: http://www.rrshs.org